Reading For Pleasure

Reading is the only hobby in which the act of reading about the hobby is engaging in the hobby.  As a result, books about reading are always intriguing to those who like to read. 

Consider Alan Jacob’s The Pleasures of Reading in an Age of Distraction.

It is a charming book, full of wit and insight.  If you like reading, you’ll undoubtedly enjoy it as much as I did. 

But (you knew that was coming, didn’t you?), there is a thread to Jacobs’ argument that seriously annoyed me.  It is an argument I have seen many times and it makes me inwardly groan every time. 

When a kindred spirit makes a wrong-headed argument, it certainly galls much more than when a philistine makes the same argument.  And, so I take it up here because I like Jacobs’ book so much.

Jacobs begins his book with a takedown of Adler and Van Doren’s How to Read a Book

I have mentioned this book many times when talking with students, and I have on occasion even recommended it.  What is good about it is very good. 

The good parts:  Reading Adler and Van Doren was the first time I ever realized that different books need to be read in different ways.  Reading novels requires a fundamentally different type of reading than reading poetry or history or science.  Second, reading non-fiction is not the same as reading a murder mystery; in a non-fiction book, it is perfectly legitimate to look at the table of contents to see where a book is going.  (Strange as it may sound, this was truly a revelation to me.)  Third, skimming through a book to see the overall argument is also a perfectly acceptable thing to do; indeed some books should only be skimmed.  All that and more.  I learned a lot from this book.

But, Jacobs is entirely correct to chide Adler and Van Doren for what is bad about their book.  It has a rather officious tone.  It does not suggest, it orders; it never even attempts to entice the reader into its many insights.  It sets them down as rules like a strict taskmaster.  This is how you must read; this is how you must comment in the margins; these are the books you must read.

Jacobs will have none of that.  Instead he suggests reading at whim.  He likes that word, “whim.” Pick up whatever book strikes your whim, and enjoy.  Don’t look for lists telling you what books you should read.  Just read whatever strikes your fancy.

So far, so good, and if the book had ended at this point, I would have thought it was dead-on accurate. Convincing people to enjoy reading is much needed.  It is good to show that reading whatever strikes your fancy is vastly better than not reading at all because you feel obligated to read books you do not want to read. But then, as the pages rolled on, Jacobs clarifies his argument, and therein is the problem.

As Jacobs notes, if his book’s only suggestion was to Read at Whim, then it would have ended at page 25.  But, he wants to clarify his meaning.  What if, for example, I don’t know what books I want to read?  What if I want to read good books, Great Books even?  How do I find them?  If I am to avoid like the plague all the lists of “Books Everyone Should Read,” how will I find those books I would enjoy reading?

Here is where Jacobs gets into serious trouble.  Take someone who enjoys The Chronicles of Narnia or Dickens or Austen or Tolkien.  (Those are his examples.)  He notes that if you have fallen in love with any of those books, your whim will naturally take you downstream, to books that followed the book you loved.  Sadly, most of those books are not as good as the one you loved.

So, instead, turn upstream.  Find the books that influenced the author you love. Here you will find books that are “fascinating, illuminating—but also, yes, challenging. ‘Challenging’ is precisely what the (downstream) imitators usually are not, but that means they’re not all that rewarding either.”

Uh…where to start.  First, can we note that Austen and Lewis and Tolkien are themselves downstream authors?  If we take this advice seriously, then what we should all be reading is Homer and the Bible—can’t get more upstream than that.

Second, can we note that most of the books upstream from whichever author you want to mention are not very good?  That the bulk of what Austen would have read was just as poor as the bulk of what followed her?  Unless…and this is the crucial point…when we turn upstream, we make a point of only reading the good upstream books.  And to know which books those are, well, we have to have some sort of knowledge of which books are good.  And if we have that, then is there some reason we can’t use the same mechanism to find good downstream books?

And, third, look at the adjectives Jacobs uses to praise the upstream books: fascinating, illuminating, and challenging.  He has just created a set of criteria that suggests some books are better to read than other books.

Because Jacobs wants to preserve the idea of whimsical reading, however, he never wants to fully acknowledge that maybe some guidance is necessary.  And that is what gets him into the problem that really annoys me.

In a section entitled “The triumphant return of Adler and Van Doren,” Jacobs returns to the idea that different books need to be read in different ways to explain how he can reconcile his admonitions on how to read some books while at other times arguing just to follow your whim.

Jacobs, borrowing from Adler and Van Doren, says there are three types of reading and that we need to make a clear distinction which type of reading we are doing before we set off on a journey with a book.  There is reading for information.  There is reading for understanding.  And, there is reading for pleasure.

And, I wrote “Argh!!” in the margin.  (Really.)

Let’s take Jacobs’ book as an example. 

I read it for information—I wanted to learn more places I could read Great Books’ authors writing about reading and I assumed Jacobs would have some interesting pointers.  He did.

I read it for understanding—I wanted to understand more about the act of reading in the modern age which is so full of distractions so that I could more fully understand why my students have a hard time immersing themselves in a book.  There was a great deal of insight into this phenomenon.

I read it for pleasure—I wanted to read an author who knows how to write in a pleasant conversational tone full of clever wit and interesting anecdotes about a subject both he and I love.  As noted, above, I truly derived much pleasure from this book.

So which is Jacobs’ book: is it a book to read for information, understanding, or pleasure?  If it is one of the first two types, does that mean I shouldn’t have enjoyed it?  If I am reading a book for pleasure, does that mean I should never pause and look up and think about it, or mark a passage I particularly love (or hate)?

This idea that reading for pleasure is somehow a distinct act from reading for other purposes is one of the most pernicious ideas about reading.  It tells the reader that you can either pick up a book because you will derive pleasure from it or you can pick up a book because you will learn something from it or derive some deep understanding from it.  And given those two choices, which one is the better, more virtuous choice? Mere pleasure?  Or learning?

We read because it is pleasurable and useful.  Indeed, the very thing that makes a book a Great Book is that when read, it brings intense pleasure and it brings deep understanding and it is full of information.  It is the complete package.  That is the goal. 

So, read for pleasure.  Always.  And as you do, you will discover that the books that bring the greatest pleasure also bring the deepest insights into this world. 

But, if you tell others at the outset that you need to remember this is a Great Book, so it is useful or insightful, and not pleasurable, then it is highly unlikely that others will learn to enjoy reading those books.

In the end, I am happy to recommend Jacobs’ book.  I don’t recommend it because it is full of information or that it is full of deep insight.  It is both of those things, but that is not why I recommend it.  Read Jacobs’ book because it is a pleasure to read it.  If you like reading, you will enjoy this book.

How to Love Your Neighbor

In Cat’s Cradle, Kurt Vonnegut demonstrated the absolute absurdity of everything, that the world is just one meaningless act after another. (A review of Cat’s Cradle is here.)

What then?  His next novel presented a challenge.  Does he simply double down on the meaninglessness of everything or is there some way out of this trap?

That novel was God Bless You, Mr. Rosewater.  Vonnegut’s universe is still meaningless.  But, a meaningless universe creates a new problem.  

There are still people living in that meaningless universe.  What do you do about all the people living meaningless lives in a meaningless universe but who do not know the universe is meaningless and so don’t know they are just supposed to laugh at how meaningless everything is?  

The temptation is just to ignore them.  After all, if you are faced with a meaningless universe, why not just enjoy yourself?  And if you have wealth and live in a meaningless universe, then why not just hang out with all the Beautiful people, and you and the other wealthy Beautiful people can enjoy a beautiful life in a meaningless universe?  

Should you worry about all those other people?  Why bother?  They are all sort of…repulsive and low-class, anyway…right?

Eliot Rosewater, the Mr. Rosewater of the title of the book, has more inherited wealth than he can spend.  And he makes a discovery.

“I look at these people, these Americans,” Eliot went on, “and I realize that they can’t even care about themselves any more—because they have no use.  The factory, the farms, the mines across the river—they’re almost completely automatic now.  And America doesn’t even need these people for war—not any more, Sylvia—I’m going to be an artist.”
“An artist?”
“I’m going to love these discarded Americans, even though they’re useless and unattractive.  That is going to be my work of art.”

That was published in…1965.  Imagine a large swath of Americans who have become largely irrelevant.  As the Vonnegut surrogate in the novel explains:

“In time almost all men and women will become worthless as producers of goods, food, services, and more machines, as sources of practical ideas in the areas of economics, engineering, and probably medicine too….Americans have long been taught to hate all people who will not or cannot work, to hate even themselves for that.  We can thank the vanished frontier for that piece of common-sense cruelty.  The time is coming, if it isn’t here now, when it will no longer be common sense.  It will simply be cruel.”

So, imagine a society divided with the Good, Beautiful People on the one side and Pointless, Pedestrian, Boring, Low-class people on the other side.  Imagine a person from the Good, Beautiful side of the tracks decided to love the latter set of people—and love them not from afar, but actually move into the neighborhood and help them out whenever they had a need, a real immediate need, like needing someone to talk with at 3 AM or someone to help out on the volunteer fire department.  

If you knew someone who did that, who walked away from an Ivy League Education to move to a small town in the middle of nowhere, just to live there and be with those people, what would you call someone like that?  Insane, perhaps?  

And therein is the plot of this Vonnegut novel.  Is Eliot Rosewater insane?

It is an eerie book to read these days, by the way.  This idea of a whole set of Americans who are angry because they feel useless and ignored and don’t like feeling useless and ignored, well…what would happen if they actually existed and then 50 years later they still actually existed and they were still angry that they felt useless and ignored?  Not a rhetorical question, obviously.

So, Vonnegut is providing an interesting answer to his problem from Cat’s Cradle.  It is all well and good to say that we live in a pointless world, where there are no higher goals or causes which can give our lives meaning; in fact if you are one of the wealthy, beautiful people, the type of people who have nice college educations and buy books by Kurt Vonnegut, then it is even fun to think about a world like that and imagine we live in a world like that, and even live as if we live a world like that.  

But, if you are one of those people out there living in a small town like Rosewater, Indiana, well, you might not be enjoying your life as much as those people reading Cat’s Cradle and laughing at the pointlessness of it all.  

And, maybe, just maybe, those people reading Cat’s Cradle should think about what it must be like for those other people and do something crazy like, you know, love them.  Not love them from afar in some abstract, “I love humanity” way.  But, love them enough to set aside all their privileges and become like one of them.  

A radical idea that.  Imagine the Social Justice Warrior who instead of joining a non-profit in Downtown Manhattan or a nice College Town and working to solve the world’s problems from a nice one-bedroom apartment near cute vegetarian restaurants, imagine that person just deciding to move to Rosewater, Indiana or the equivalent town in Nowhere America and get a job at Wal-Mart and just live with people and love them.  That would be a radical act. 

Of course this is all just silly talk.  What kind of person would voluntarily set aside all the trappings of a very nice life and endure such humbling as to actually live with, among, and like the lowly, unworthy beings?  

Empty yourself and become a servant?  Yeah, that would be insane.

Embracing Your Inner Psmith

It comes to all of us in the end. The school years finish.  Done.  Finding ourselves poised at that moment between the rolling years of school and the endless plains of the Rest of Life, what book should we read, dear Comrade?  What book sets forth the stark choices facing us all at that moment?

P.G. Wodehouse, Psmith in the City.

Mike and Psmith (“There is a preliminary P before the name. This, however, is silent. Like the tomb. Compare such words as ptarmigan, psalm, and phthisis”), school chums whose antics were chronicled in Mike and Psmith, are, for unrelated reasons, suddenly removed from the pleasantries of school and sent off to work at The Bank.  And, Mike finds the prospect dismal.

There are some people who take naturally to a life of commerce. Mike was not of these. To him the restraint of the business was irksome. He had been used to an open-air life, and a life, in its way, of excitement. He gathered that he would not be free till five o’clock, and that on the following day he would come at ten and go at five, and the same every day, except Saturdays and Sundays, all the year round, with a ten days’ holiday. The monotony of the prospect appalled him.

That is work.  Stripped to its essence that is exactly what work is.  Yes, some people do work outside, and some people travel, and some people work in non-profits, and some people work at their homes, and some people get high pay, and some people get no pay, but one way or another, work is, day after day, the endless repetition, day after day, of the same thing, yes, day after day.

Students do not know this, of course.  The school years are different.  Two weeks of vacation at Christmas, three months of summer (four if you go to Mount Holyoke!), spring breaks, Thanksgiving breaks, and an assortment of other breaks.  School days end well before five. And everyone knows that no matter how bad your teachers are this year, next year at least you get a new set of teachers (well, unless you are home-schooled).

Students, by and large, imagine the time when school will finally end and then get real life begins. They imagine the exciting prospects of The Job. Jobs are exciting.  You do exciting things with interesting people and everyone enjoys the days.  Worst case, and I mean worst case, you end up with a job at something like Dunder Mifflin Paper Company, and your life has its dull moments to be sure, but it is punctuated by all those zany antics. 

Sure, everyone knows RealJob ™ is not the same as The Office™; Real Jobs are never as boring as the TV Show pretends they are.

Then work actually starts, and it hits everyone somewhere between six and eighteen months after graduation; this is forever.

That is the decision moment.  And that is the moment when Psmith in the City is most needed. 

Mike Jackson facing that prospect of the unchanging tedium of life, gets depressed.  Very depressed. “The sunshine has gone out of his life.” This is a perfectly normal reaction to looking with a brutally honest examination at the future. 

Psmith has exactly the same job.  He also does not want to be there.  His first words on showing up at work: “Commerce has claimed me for her own.  Comrade of old, I, too, have joined this blighted institution.”

But, that is where the comparison stops.  Faced with the tedium of work, Psmith does not despair.  He makes a game of the whole thing.  He decides to enjoy himself.  His irritable boss, Rossiter, walks up to demand to know what he is doing there, and Psmith begins the fun:

‘I tell you, Comrade Rossiter, that you have got hold of a good man. You and I together, not forgetting Comrade Jackson, the pet of the Smart Set, will toil early and late till we boost up this postage department into a shining model of what a postage department should be. What that is, at present, I do not exactly know. However. Excursion trains will be run from distant shires to see this postage department. American visitors to London will do it before going on to the Tower. And now,’ he broke off, with a crisp businesslike intonation, ‘I must ask you to excuse me. Much as I have enjoyed this little chat, I fear it must now cease. The time has come to work. Our trade rivals are getting ahead of us. The whisper goes round, “Rossiter and Psmith are talking, not working,” and other firms prepared a pinch our business. Let me Work.’

Ok, you may not want to talk like that at your workplace. 

But, do not miss the deeper message here.  Work in the postage department at the New Asiatic Bank is boring, very boring.  Rossiter is an unfriendly manager and Rossiter’s manager is the even worse Mr. Bickersdyke.  There are no prospects for enjoying this job.  Mike knows that full well.

But, Psmith refuses to let the circumstances depress him, and in his own merry way finds amusement in everything.

That is the choice: do you want to be Mike or Psmith?

I am often asked if I like my job and I always talk about how much I love my job.  I truly do love my job.  And when I talk about how wonderful it is, people believe me that it is a wonderful job. 

But, here is the funny thing.  I have lots of colleagues who have exactly the same job I have.  And they do not love their job.  At all.  Come around the school on a Friday afternoon in the middle of July or October and you can instantly tell who loves this job.  They are the ones who are cheerfully working.  Most of my colleagues are not here.  At times, one might suspect what many of my colleagues like most about their job is that nobody chastises them when they do not come to work.

That is the real challenge of your life after school.  You can’t change the fact that there is an inherent monotony to your daily tasks.  But, you can decide how you are going to respond to that monotony. 

Embrace your inner Psmith. Remember that no matter how bleak work gets, put it in its proper perspective.  Decide you enjoy it.  Even if you don’t think you enjoy it, just decide to enjoy it.  It won’t always work, some days you will loathe it.  But, honestly, will you enjoy it any more if you drag yourself in every day thinking about how much you hate it? Try entering with a smile and telling everyone what a marvelous day it is because you are now there, ready and excited to Work. 

Humorists

Imagine you were going to write a book entitled Humorists.  There will be 14 chapters, each profiling a Humorist.  Nobody from before the 17th century; nobody from the last 50 years.

What are the first three names which come to mind?

Paul Johnson wrote that book.  Here is my prediction: None of the three names you just imagined are on the list of people he profiles in this book.  Indeed, it might take you some time to come up with one of the names on his list.  To come up with half the names on the list…well, that might take infinite time.

Who made Johnson’s list? We can lump them into categories, starting with the ones who are most recognizably humorists.

1. The Comedians:
In this category we can put W.C. Fields, Charlie Chaplin, Laurel and Hardy, The Marx Brothers.

There is nothing particularly off about that set of four.  You see their names and you think, “Yeah, they are funny.” 

Or, at least you acknowledge that many people thought they were funny in their time.  It certainly tells us something about humor that not all of those comedians have aged well.  W. C. Fields?  Hardly hear about him anymore.  Indeed, I am not sure I would have heard of him if not for the fact that I had a W. C. Fritos poster in my room when I was a small child; it must have been a free poster from mailing in Fritos bags or something.  Charlie Chaplin?  Everyone has heard of him, but he was best in the silent movies and who watches those anymore?  Laurel and Hardy?  Not sure how well they are known these days; I loved them when I was a kid.  The Marx Brothers?  Still legitimately funny. 

But, thinking through that list of four, you instantly notice that there are a lot of other mid-20th century comedians who are missing.  Off the top of my head: Lucille Ball.  Abbot and Costello.  The Three Stooges.  Bob Hope.  Jackie Gleason.  It isn’t clear why Johnson picked the four he picked.

But this is at least a category in which you can imagine choosing among people who are truly comedians.

2. Writers with Wit

In this category, we can put Benjamin Franklin, G.K Chesterton, James Thurber, Noel Coward/Nancy Mitford (they share a chapter), and, well, let’s add Damon Runyon here. 

This is where it gets a bit strange.  Start with Runyon.  I don’t think I have ever even seen his name before; his biggest claim to fame is that Guys and Dolls is based on some of his stories.  After reading the chapter about him, I think he is probably worth reading, but it is safe to say that it would be a very rare person who would put him in the top 14 humorists.  Thurber, Coward, and Mitford all have their charms to be sure.  Franklin is a humorist, but that is not the first thing that comes to mind when thinking about him. Or the second. Or the third.  Chesterton?  He is incredibly witty, but a Humorist?    Interesting way to think about him, but I can see it.

Again, why this set of names?  Consider the question at the outset—name three humorists.  I would have named: P.G. Wodehouse, Mark Twain, H.L. Mencken.  I think it is safe to say that all three of those writers are more obviously Humorists than anyone in Paul Johnson’s list.  Indeed, if you had a list of all the witty writers, it isn’t obvious any of Johnson’s names would be anywhere near the top.

3. The Artists

Here we have Hogarth, Rowlandson, and Toulouse-Lautrec. This set is really a very big stretch.  Yes, there is some humor in their work, but to call them Humorists is really straining the definition of the word.  In the last case, even Johnson can’t sustain the argument that he is a humorist.  If you look long enough at some of the work by the first two, you will see some humorous characters, but the first thought in looking at their paintings, even the ones Johnson wants to highlight, is not, “This is humorous.”

4. The…You Must Be Joking

Two names here.  First Charles Dickens.  Charming, wonderful, excellent novelist.  But a Humorist?  Yes, Sam Weller is funny.  Mr. Micawber…charming, amusing, and yes, I suppose we could say he is humorous.  Indeed, if the criterion becomes, “He wrote a book in which there is at least one character who makes me smile,” then I suppose we can call Dickens a Humorist.  But that just seems such a strange definition.

And then: Dr. Johnson.  (Why is he called Dr. Johnson and not Samuel Johnson?  I have no idea.)  This is just absurd.  Sure, some of the sayings are witty, but Samuel Johnson is anything but a humorist.  The first sentence in Paul Johnson’ biography of him, “It stretches credulity to cite of Dr. Samuel Johnson as a comic.” Yes it does.

So, what is going on here? 

I suspect this is the case of the Great Writer who no longer has anyone willing to say, “Uh, you should think about this a bit more and maybe rewrite a bit here and there.”  The problem is quite common—the most obvious recent example is J.K. Rowling—does anyone dispute the fact that the books written after she became Famous would have been better if someone had edited them a bit?  Victor Hugo had the same problem. 

Paul Johnson is a fabulous historian and a writer.  One of his earlier books was Intellectuals which is a set of biographies of people who value ideas more than actual people.  It is marvelous fun if you have an iconoclastic streak and like to read about the failings of a bunch of people who are unduly idolized.  Johnson has tried, unsuccessfully, three times to replicate that book: Creators, Leaders, and Humorists.

Humorists would be a fine book if the title was switched to Well-written, Breezy Biographies of Some Interesting People. (Hard to figure out why they didn’t use that title.) 

The problem here is that there is no real working definition of “Humorist.”  Johnson makes a few stabs here and there in the book to categorize the humor, but the theory of humor doesn’t even approach the point where it can be evaluated.  Yes, some humorists create chaos and some create order and some note how strange people are.  That doesn’t really define anything. 

I think this explains the selections.  If you were really writing a book about Humorists, you would choose carefully, and work out a theory.  But, if you are really just looking for an excuse to write up some biographies of people you think are interesting, then you’ll have a book like this one.

All that being said, it was a pleasant book to read.  After all, if you are writing a book called Humorists, you do get to throw in a bunch of jokes. 

And Humor is important.  Very Important. It is even important enough that spending a bit of time reading a bunch of biographies about people on the fringes of being Humorists is a marvelous way to remind yourself just how important it is to fill your life with humor.  The world can use more humor.

The World is Watching the Church

Sometimes a book from a half-century ago is the best way to see the problems of the modern age. 

Francis Schaeffer’s The Church Before the Watching World is a book like that.

Schaeffer begins by noting there are two seemingly conflicting principles governing the church:

1. “the principle of the practice of the purity of the visible church in regard to doctrine and life,” and
2. “the principle of the practice of an observable love and oneness among all true Christians regardless of who and where they are.”

So far, so good.   It would be very hard to argue that both of those things are not important. If the church abandons any attempt to have correct doctrine, then it is not a church; it is nothing other than a social club. If a church does not manifest observable love and oneness, then it is not a church; it is nothing other than a debate club.

In this short book, published in 1974, Schaeffer is very concerned about the first principle.  He looks out at the world and sees the increasing influence of “liberal theology” in the church.  In Schaeffer’s telling, liberal theology follows the currents of the secular world.  When the secular intellectual world latches onto a new idea, the liberal theologians are right behind exclaiming, “We Christians agree with that too!”  Over time, liberal theologians drift farther and farther from orthodox faith. 

This worries Shaeffer mightily.  How much?  Shaeffer describes the worship of Molech, in which parents would place their infant first-born children into a fire burning inside the idol of the god.  Pretty gruesome practice.  Schaefer: “Modern liberal theology is worse than following the Molech of old.”

Set aside for a moment whether an argument like that was needed in the mid-1970s.  Is it needed today?

If you look at the language of church discussion, it is fairly obvious that most Christians believe that is exactly the right sort of language to use.  It makes no difference whether the church is Fundamentalist Baptist or a Hip Episcopalian.  Both churches spend quite a bit of time making sure everyone knows they are not like those other churches.

And, let’s be honest here, the problem has magnified in the Age of Trump.  Sometimes it seems like people pick their church based on which side of the political divide they believe the church falls.  Could you go to a church where the pastor or priest supports Trump?  Could you go to a church where the pastor or priest opposes Trump?  Did you answer either of those questions knowing nothing else about the church in question?

This is a problem.  A big problem.  And interestingly, Schaeffer describes the problem perfectly.

All too often young people have not been wrong in saying that the church is ugly.  In the name of our Lord Jesus Christ we are called upon to show to a watching world and to our own young people that the church is something beautiful.

The world is watching the church.  What does it see?  “Your children will see the ugliness, and you will lose some of your sons and daughters.”

Finding right doctrine is incredibly important.  A godly Christian should never cease in the quest to find a pure, perfect doctrine and to live a pure, holy life. 

Showing Love to other Christians is incredibly important.  As the 1960’s hymn says, “They’ll know we are Christians by our Love.” 

We are one in the Spirit, we are one in the Lord, and we pray that all unity may one day be restored.
We will walk with each other, we will walk hand in hand, and together we’ll spread the news that God is in our land.
We will work with each other, we will work side by side, and we’ll guard each one’s dignity and save each one’s pride.
And they’ll know we are Christians by our love.

Faced with those two important principles, keep pure doctrine and demonstrate love, the church will constantly struggle when they seem to conflict.  We should all be able to agree that abandoning one principle or the other is wrong.  So how do we navigate?

Let us also agree, at some points in church history, establishing doctrinal purity is the paramount task.  This is exactly why the Creeds were written.  This principal led to the break between the Roman Catholic Church and the Eastern Orthodox churches.  It led to the Reformation.

But, might there not be other times when showing the unity of the church, showing love to other Christians, might not become the paramount task?

We are at such a moment right now in American society.  The political divide is deep and increasingly bitter.  You undoubtedly have a very strong reaction to the phrase “President Trump.”  Should the Church mimic that divide?

The world is watching.  If the church looks no different than the political divide, then why do we need the church?  Can anyone watching the church actually agree with Jesus when he said, “By this all people will know that you are my disciples, if you have love for one another” (John 13:35)?

Let me be very clear.  This is not an argument for abandoning the quest for doctrinal Truth.  This is not an argument that there are not sharp disagreements on theology across churches or that we should pretend that those differences are not incredibly important. 

It is an argument for something more fundamental.  Love one another.  And that means love those Christians in churches who have theologies which you firmly believe are wrong.  Love those people in churches which seem to be dominated by people on the other side of the political spectrum.

If Christians cannot love, truly love, across the political divide, then may God help us all.  If Christians cannot demonstrate that love transcends the political divide, then Christ is not with us.

The world is watching.  At this moment, it is time to rise above politics.  It is time to demonstrate love.

Immigration: Can We Talk About This?

An article published in Public Discourse:

The debate on immigration in America has hit a wall.

“Debate” is the wrong word, though, with its implication that the two sides are actually speaking to one another and addressing the arguments of the other.

It is more accurate to say that the posturing on immigration has hit a wall.

Read the rest of the article here at Public Discourse.

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